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Vánočka

On Czech Christmas Eve morning, before the carp and the potato salad, the table holds a long golden vánočka, a sweet braided loaf whose layered plaits are said to represent the baby Jesus in swaddling. Families slice it for breakfast through the holidays with butter, honey or jam. The crumb is soft and rich with egg and butter, scented with lemon zest and studded with raisins; flaked almonds crisp up on the crust. The usual slip is braiding too loosely, so the tiers slide apart in the oven; plait tightly and hold them with wooden skewers while baking. Soaking raisins in warm water (not rum) keeps them juicy and alcohol-free. Chef's tip: vánočka keeps for days wrapped in a cloth, and slightly stale slices make superb French toast.

185 minCzechBaking
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Bublanina

Czech grandmothers make bublanina the moment cherries ripen in June, and again with apricots or plums later in summer, baking it in a big tray for afternoon coffee in the garden. The name comes from the bubbles that form as the fruit sinks into the batter. It is a light, buttery sponge, golden at the edges, with pockets of juicy, sharp fruit and a snowfall of icing sugar on top; children love it warm. A common mistake is folding in the flour too hard, which knocks out the air and makes a tough cake; mix until just combined. Pitted fruit is easiest for little eaters. Chef's tip: toss the fruit in a spoon of flour before scattering it over, so it sits in the sponge instead of sinking to the bottom.

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Žinčica

Hikers walking past a salaš, a Slovak shepherds' hut, are often offered a mug of žinčica, the cool, sour whey left over from making bryndza and hrudka cheese. Shepherds heat the whey until fine flakes of cheese float up, then leave it to sour, and drink it with boiled potatoes or on its own on a hot afternoon. It is thin, refreshing and tangy, a little like a light buttermilk. At the salaš it is often made from raw sheep's milk, so at home make it only from the whey of cheese made with pasteurised milk (the korbáčiky recipe gives you plenty) and vegetarian rennet. The common slip is leaving it to sour somewhere warm for too long, where it turns cheesy and harsh; a cool room and 12 hours is enough. Chef's tip: a spoonful of cultured buttermilk gives a clean, reliable sourness every time.

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Bratislavské rožky

Bakers in old Pressburg, today's Bratislava, have shaped these little horns for nearly three centuries, and the city still treats them as its own Christmas and wedding pastry. The walnut ones are bent into a horseshoe and the poppy seed ones into a crescent, so you can tell them apart on the plate. The dough is rich and short, almost like a pastry, and the shiny brown top is crazed with fine cracks from a double egg glaze. A common mistake is glazing the second time before the first coat is dry, which leaves a dull, smooth top instead of the famous marbling. Patience is the whole trick: a cool rest after the yolk, then a warm rest after the white. Old recipes add a splash of rum to the walnut filling; this version uses lemon and cinnamon instead. Chef's tip: keep the dough cold and work quickly, so the butter stays in tiny flakes.

150 minCzechBaking
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Jidáše

Maundy Thursday, "Green Thursday" in Czech, is the day for jidáše, sweet yeasted buns rolled into ropes and coiled into spirals or loose knots to recall the rope of Judas, which gives them their name. Families in Bohemia and Moravia bake them for breakfast that morning and brush them, still hot, with honey; eating one was once said to bring health for the year. They are soft and fluffy, lightly scented with lemon, with a sticky, shiny top. A common mistake is brushing the honey on cold buns, where it just sits; warm the honey and glaze them straight from the oven so it soaks in. Honey is not suitable for babies under one year old. Chef's tip: roll the ropes thinner than you think, about finger thickness; they double as they prove.

145 minCzechBaking
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Zelňák

Out in the Moravian wine villages, when bread was baked in the communal oven, the last of the dough went into zelňák: a flat yeast base spread with sour cabbage and fried onion and baked until the edges blister. It is still sold in bakeries around Brno and Hodonín and eaten warm in slices with a glass of buttermilk or new wine. Old recipes fry the onion in lard or add crackling; this version uses oil and butter and is vegetarian. The topping is tangy, sweet from the onion and scented with caraway, over a soft, bready base. Where it often goes wrong is using wet sauerkraut straight from the jar, which turns the base soggy. Squeeze it well and fry it first. Chef's tip: a thin layer of sour cream under the cabbage keeps the base moist and stops the topping drying out.

120 minCzechBaking
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Frgály

At weddings and church fairs in Moravian Wallachia, in the hills around Rožnov and Vsetín, tables are stacked with frgály: yeast tarts as wide as a dinner plate, rolled so thin the filling seems to sit on a crisp, chewy disc. The classic toppings are dried pear mixed with plum butter, sweet tvaroh (Czech quark), or poppy seed, all scattered with a buttery crumble. This recipe makes four, two with each of the first two fillings. Tvaroh is usually set without rennet, but some brands use it, so check the label. The usual slip is leaving the dough thick in the middle, which makes a bready tart; roll right to the edge, about 3 mm thick. Chef's tip: bake on the lowest oven shelf on a hot tray, so the base browns before the filling dries.

150 minCzechBaking
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Champús

When Lima's grey winter sets in, from June to September, champús sellers set up on street corners with big pots of this thick, fruity drink, ladled warm into glasses and eaten as much as drunk. It's made from mote (hulled white corn), simmered with pineapple, quince or apple, soursop, chancaca and warm spices, then thickened lightly with corn flour, so every spoonful has soft fruit and chewy corn in a spiced, molasses-sweet base. It is close in spirit to mazamorra morada but paler and tangier. The mistake people make is adding the thickener straight into the hot pot, where it forms lumps; always slake it in cold water first and pour it in while stirring. Canned or jarred hominy saves hours; frozen soursop (guanábana) pulp is in Latin shops and can be left out. Serve warm in glasses with spoons. Chef's tip: simmer the pineapple peel and core with the spices for the first 20 minutes, then strain them out; they give much of the flavour.

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Emoliente

Before dawn, all over Peru, emolienteros set up their carts with a row of steaming kettles and jars of herbs, and commuters stop for a glass of emoliente on the way to work. It's a hot infusion of toasted barley, flaxseed and herbs, with lime juice and sugar added to order, and it is drunk for comfort and digestion, especially in Lima's damp winter. The flaxseed gives it a slippery, soothing body; the barley a toasty, almost coffee-like note. Street versions use horsetail, alfalfa, boldo and other herbs; this home version keeps it simple, with horsetail as an option (leave it out if you are pregnant or have kidney problems). The usual error is boiling the flax too long, which makes the drink gloopy; add it for the last 10 minutes only. Serve very hot in glasses, with pan con queso or a sandwich. Barley contains gluten. Chef's tip: toast the barley yourself until it is deep brown; it's what gives emoliente its colour and its roasted flavour.

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Quinua con manzana

Morning market stalls and street carts from Lima to Huancayo ladle quinua con manzana into glasses alongside emoliente and maca, and many people drink it as breakfast on its own, with a bread roll or a sandwich beside it. Quinoa and chunks of apple are simmered with cinnamon and cloves until the grains burst and the liquid thickens, then sweetened and served warm or cold. Some stalls blend it smooth; others leave the grains and soft apple pieces to spoon up. It is mild, fruity and filling, and children usually like it. The mistake that ruins it is skipping the rinse: quinoa's natural coating, saponin, makes the drink bitter and soapy, so rub it under running water until the foam stops. Chef's tip: add a few drops of lime at the end; it lifts the apple and keeps the drink from tasting flat.

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Bizcochitos de grasa

A paper bag of bizcochitos de grasa sits next to the mate gourd in kitchens, offices and roadside service stations across Argentina, from Buenos Aires to the Andes. These little rounds, a couple of bites each, are layered with beef fat, so they flake and crumble, salty and plain enough to eat by the dozen with bitter mate in the afternoon. The fat is rendered beef fat (grasa vacuna), so they are not vegetarian; ask your butcher for dripping or render suet yourself. A dough worked too warm is the mistake that robs them of their layers; the fat melts into it instead of staying in sheets. Chef's tip: chill the dough for 10 minutes between folds whenever it starts to feel greasy, and prick each round right through so it puffs in flakes rather than domes.

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Tortitas negras

Black cakes, the name means, though only their tops are dark: tortitas negras are flat, round, flaky buns covered with a thick crust of dark brown sugar that melts in the oven and sets crunchy and toffee-like. They are among the cheapest and most popular facturas in Buenos Aires bakeries, eaten from a paper bag at breakfast or as a merienda with mate, and everyone fights over the sugary edges. The dough is a lightly laminated yeast dough, between bread and puff pastry. Bakeries often use lard or margarine; this version uses butter and stays vegetarian. Being stingy with the sugar is the classic misstep: a thin layer just melts into the dough and disappears, so pile it on thickly and press it down. Chef's tip: brush the rounds with water, not egg, before adding the sugar; the water melts the sugar into a crisp, crackling shell.

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Patay

Long before sugar reached the dry northwest, the pods of the algarrobo tree were the region's sweetness, and patay is the oldest way of keeping them: the pods are ground, the flour is moistened and pressed into a cake that dries into something dense, fudgy and naturally sweet, with notes of cocoa, coffee and caramel. In Santiago del Estero you still buy it in round slabs at markets and roadside stalls, to eat with mate or to crumble into milk. Harina de algarroba comes from the South American Prosopis tree; look for it in health-food shops or online, and mesquite flour is the same family and works well. Mediterranean carob flour is different and tastes more bitter. Too much water is the way most first attempts go wrong: the cake should be pressed from a damp, crumbly mix, not a batter, or it bakes up gummy. Chef's tip: sieve the flour twice; algarroba flour clumps, and lumps stay as hard grains.

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Submarino

Café tables in Buenos Aires have their own way with hot chocolate: the waiter brings a tall glass of frothy, steaming milk on a saucer with a slim bar of dark chocolate, and you drop the bar in yourself and watch it sink like a submarine. Stirred with a long spoon, it melts into a rich, not-too-sweet drink, and it is the classic order with medialunas on a cold winter afternoon or after school. At home it takes five minutes, and children love the moment of dropping the bar in. The common letdown is milk that is only warm: the chocolate sits in a lump at the bottom. Heat it until it is steaming and just starting to rise, but not boiling. Chef's tip: froth the hot milk with a whisk or milk frother before pouring; the foam on top is part of the café ritual and keeps the drink hot while the chocolate melts.

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Tortitas mendocinas

Every panadería in Mendoza fills a tray with tortitas in the early morning, and they go out in paper bags to be eaten warm with mate, split and spread with butter, quince paste or a slice of cheese. They are flat, round, slightly salty breads, soft and layered in the middle and crisp at the edges, with the fork marks that give them away. The traditional fat is beef lard (grasa), which makes them very short; here butter or vegetable shortening takes its place to keep them vegetarian, and both give a good flaky result. The mistake to avoid is rolling them thin like crackers: they should be a generous centimetre thick, or they bake hard and dry. Chef's tip: fold the dough in three twice before the final roll, like a quick puff pastry; those folds give tortitas their layers.

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Alfajor santafesino

Santa Fe's alfajor is a different animal from the soft cornflour kind sold everywhere else: three wafer-thin, crackly discs of yolk-rich pastry, stacked with dulce de leche, then dipped in a cooked sugar glaze that sets hard, white and shiny. Bakeries in Santa Fe city and along the Paraná river ship them all over the country in boxes, and travellers bring them home as the regional present. Bite through and the glaze shatters, the pastry flakes and the dulce de leche holds it all together. Thick pastry is the mistake that ruins the texture; it has to be rolled until you can almost see the worktop through it, or the alfajor turns bready. Some old recipes add a splash of cane spirit to the dough; this version uses only water and is alcohol-free. Use a thick, pastry-chef's dulce de leche (repostero) so it doesn't ooze. Chef's tip: bake the discs in batches and keep the rest of the dough covered; it dries out fast and then cracks when rolled.

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Torta galesa

Welsh settlers arrived in the Chubut valley in 1865 and their descendants still serve afternoon tea in Gaiman and Trelew, where the casas de té bring out pots of tea, scones, cream cakes and, always, a slice of torta galesa. It is a dense, almost black fruit cake made with brown sugar and black treacle, studded with raisins, candied peel and walnuts, and it was built to last through long Patagonian winters and journeys across the steppe. The crumb is moist and sticky, rich with spice and caramel. An oven that is too hot is the classic error: the outside chars before the middle is set, so it bakes low and slow under a sheet of paper. There's no alcohol in this version; many cooks brush it with rum after baking, so leave that out or use strong tea. Chef's tip: wrap the cooled cake tightly and wait two or three days before cutting; it turns moister and the flavours deepen.

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Alfajor cordobés

Córdoba's version of the alfajor is the soft one: two tender, slightly spongy honey-scented rounds sandwiched with fruit jam, usually quince or mixed fruit, and coated in a thin sugar glaze that dries to a crackly white shell. They are sold by the dozen in the sierras towns of Villa General Belgrano, La Falda and Capilla del Monte, where tourists buy boxes on the way home from holidays. Expect a gentle crunch, a cakey bite and a tart-sweet centre, best with a cup of coffee or mate. Overworking the dough is where they usually go wrong: knead it like bread and the rounds bake tough and flat, so mix only until it comes together. Quince paste (dulce de membrillo) loosened with water works well if you can't find a soft quince jam. Chef's tip: dry the glazed alfajores for 5 minutes in a barely warm oven; the glaze sets glassy and crackles when you bite.

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Colaciones

Small enough to eat in two bites, colaciones have been Córdoba's sweet gift since colonial times, when they were made in the city's convents; today confiterías in the old centre still sell them stacked in paper trays, and visitors carry them home with the alfajores. A crumbly short pastry encloses a spoon of dulce de leche, shaped into a little dome, baked pale and then dipped in a glossy white glaze that hardens into a crisp sugary shell. They are lovely with coffee or mate after lunch. The usual problem is leaking: too much filling, or edges that aren't sealed, and the dulce de leche boils out in the oven, so use a level teaspoon and press the rims firmly. The glaze is a light Italian meringue, where hot syrup cooks the egg white. Chef's tip: chill the filled colaciones for 15 minutes before baking; cold pastry keeps its shape and seals better.

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Cañoncitos de dulce de leche

Look at the tray of facturas in any Argentine panadería and the little cannons are easy to spot: flaky tubes of puff pastry, baked around metal moulds and filled from both ends with dulce de leche, then finished with a snowfall of icing sugar. They come from the Italian cannoncini, but here the filling is almost always dulce de leche. Each bite is crisp, buttery and shattering on the outside with a dense, caramel middle, and they sit on the Sunday table next to medialunas and bolas de fraile. Undercooking is the problem to avoid: pale pastry goes soft as soon as the filling goes in, so bake until it is a deep gold all over. Use all-butter puff pastry, and metal cannoli or cream-horn tubes (or rolls of foil). Chef's tip: wrap the strips without stretching them, overlapping each turn by a third; stretched pastry shrinks in the oven and the tubes split.

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Pastelitos criollos

Every 25 May, when Argentina marks the 1810 revolution, bakeries and school kitchens from Buenos Aires to Tucumán turn out trays of pastelitos: two squares of flaky dough stacked into a star, filled with dulce de membrillo or dulce de batata, fried until the layers fan open and then dipped in syrup. They are eaten warm with mate or hot chocolate, shattering crisp outside and sticky in the middle. Lard is the traditional fat in both the dough and the frying pan; this version uses butter or vegetable shortening for laminating and sunflower oil for frying, so it stays vegetarian. Expect a hard but rewarding job: the dough is folded like a quick puff pastry. Oil that is too hot is the classic error, browning the outside before the inner layers have opened, so keep it around 160 °C. Chef's tip: pinch the four corners of the top square down onto the gaps of the bottom one and press with a wet fingertip, or the star unfolds in the oil and the filling leaks.

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Pasta frola

Pasta frola came to the River Plate with Italian immigrants (it is a cousin of the crostata), and it is now the tart every Argentine kitchen keeps on the counter for afternoon mate. The crust is short and cakey rather than crisp, scented with lemon zest and vanilla, and the filling is dulce de membrillo melted down into a spreadable jam; dulce de batata is the other classic. Bakeries in Buenos Aires sell it by the square and it keeps for days in a tin, getting better on the second day. The lattice strips should be thin and slightly wider apart than you think, so the dark filling shows through. A common slip is to spread the quince paste straight from the block: it will not spread, it tears the base and it turns leathery in the oven, so loosen it first with a little hot water. Chef's tip: chill the lined tin and the cut strips for 15 minutes before baking, so the lattice keeps its shape instead of slumping into the filling.

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Pepas de membrillo

Pepas are the little round cookies with a jewel of quince jam in the middle that Argentine kiosks sell by the bag and grandmothers keep in a tin for the mate round. They are tender and crumbly, not crisp, with just enough sugar that the tart, dark membrillo stands out. Children love pressing the thumbprint and filling it, which makes them a good first baking job, and they keep for a week in an airtight jar. Kiosk versions are often made with margarine; butter tastes far better. Overbaking is the usual problem: take them out while the tops are still pale and only the bottoms are golden, because they firm up as they cool. Chef's tip: use quince paste softened with a spoonful of hot water and pipe it from a small bag; a spoon leaves smears on the dough that burn.

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Bolas de fraile

Friars' balls, to translate them literally, are a fixture of the Buenos Aires panadería counter among the facturas that porteños buy by the dozen on Sunday morning: soft, round yeast doughnuts, fried golden, rolled in sugar and split or piped with dulce de leche or crema pastelera. Children dive for them first. Inside they are light and fluffy, outside slightly crisp and sweet, and they are at their best within a few hours, with mate or coffee with milk. Oil that is too hot is the mistake: the outsides brown in seconds and the centres stay raw and doughy, so keep it at 170 °C and fry slowly. A thermometer helps a lot. Pastry cream is the other classic filling if you prefer it. Chef's tip: let the shaped balls rise on individual squares of baking paper and slide them into the oil on the paper; they keep their round shape and the paper peels off after a few seconds.

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