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Aloo pitika

Aloo pitika is the first thing on many Assamese lunch plates, a rough mash of boiled potato sharpened with raw mustard oil, onion, green chilli and coriander, eaten with the first mouthfuls of rice and dal. Guwahati families make it daily, and in winter it may be mixed with roasted aubergine or a boiled egg. The usual mistake is making it smooth like a Western purée; it should be coarse and hand-mashed so the onion and chilli stay crunchy. Chef's tip: use pungent kachi ghani mustard oil and rub it in last, so its heat hits the nose.

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Nikujaga

Two naval port towns, Maizuru near Kyoto and Kure near Hiroshima, both claim nikujaga was first cooked in their navy galleys. Whatever its start, it became the dish many Japanese people think of as mum's cooking, simmered on autumn and winter evenings and served with rice and miso soup. Thin slices of beef, chunks of potato, onion and carrot cook gently in dashi seasoned with soy and sugar until the potatoes are tender and soaked with flavour. Families in eastern Japan often use pork; in the west, beef is usual. Chef's tip: cover the stew with a circle of baking paper with a small hole in the middle (an otoshibuta, or drop lid), so the small amount of liquid bastes everything evenly.

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Every traditional Assamese lunch begins with khar, a mouthful of it mixed into the first ball of rice to settle the stomach. The defining ingredient is khar itself, an alkaline liquid filtered from the ash of dried bhim kol (seeded banana) peels; it gives the dish its soft, slightly soapy, earthy taste. Raw papaya and a handful of lentils are cooked in it with mustard oil, garlic and green chilli until silky. At home in Guwahati or Jorhat it is made several times a week. Chef's tip: outside Assam, use a small pinch of bicarbonate of soda in place of khar; too much tastes metallic, so start with ⅛ tsp.

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Jingisukan

When the cherry trees bloom in Sapporo in early May, parks fill with groups grilling lamb on ridged, dome-shaped pans, and the city's beer halls serve it all year. Named after Genghis Khan, the dish grew up after Hokkaido began raising sheep for wool in the early 20th century. In the Sapporo style, plain lamb is seared on the hump of the pan while bean sprouts, onion and pumpkin cook on the rim in the dripping juices, and everything is dipped in a fruity soy sauce. No domed pan? A heavy frying pan or flat griddle works well. Chef's tip: grease the pan with a piece of lamb fat rather than oil, as it gives the vegetables a rich, meaty flavour.

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Ou khatta

Ou tenga, the elephant apple, is a hard, sour green fruit that grows across Assam and turns up in every winter market in Guwahati. Ou khatta is its sweet chutney: slices are boiled until tender, then simmered with jaggery and panch phoron until glossy, sticky and sharp-sweet. It is served in a little mound at the end of a festive Assamese lunch and at Bihu feasts, the way Bengalis end with tomato chutney. Chef's tip: outside the Northeast, use a mix of very sour green apple and a little tamarind; it gets surprisingly close.

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Til pitha

Til pitha is the essential sweet of Magh Bihu, the January harvest festival, when Assamese homes stay up late around the fire, frying and toasting. Fresh flour of soaked bora (sticky) rice is spread thin on a hot pan into a round, filled with roasted black sesame and jaggery and rolled into a cigar while still soft; it crisps as it cools. Tins of til pitha are carried to every house visited during Bihu. Chef's tip: the flour must be freshly ground from soaked sticky rice and still slightly damp; dry shop rice flour won't fuse into a sheet.

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Jolpan

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Narikol laru

Narikol laru are the small, chewy coconut balls that sit next to til pitha on every Bihu plate in Assam, offered to visitors with tea and jolpan. Fresh coconut is cooked with jaggery until it binds, flavoured with cardamom and rolled warm. They are soft and moist, not dry like desiccated-coconut ladoos, and are made in big batches the night before the festival. Chef's tip: roll them while still warm with damp palms; once cold, the mixture won't hold.

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